After having seen the Confidential (first one I watched this season, actually) and also seeing some people's posts, I have a few further thoughts.
The Invisible Monster.
I was almost persuaded, by some people's reactions, that the episode might have been better off without it... until I read some other people's reactions, and certain things that were said in the Confidential, which justify the monster's existence on a deeper, metaphorical level. Mind you, a blind, brutal space-vulture isn't all that great as monsters go, and even as a metaphor it could probably have been done better, but I do value the metaphor. I suspect that if someone else had written the script, the metaphor might have been anvilicious, but then this script and the acting in this story managed a level of subtlety that I'm glad of.
Oh, you want to know what the metaphor is?
Depression. An invisible monster that only Vincent can see, something that the Doctor cannot fight for him, something that Vincent fights off with his easel. Not that Vincent won over depression in the end, but I don't doubt that his art helped. Creating beauty in spite of, not because of, his depression.
As many other people have noted, and I agree, the portrayal of depression in this story was well done; not dwelling on it, of course, but touching on it in a respectful, believable way. And yes, I speak as someone who has suffered depression myself. (Thank God mine is treatable with medication, that's all I can say.)
Mind you, I still reckon that the best ever metaphor for depression shown in fiction has got to be the Dementors in Harry Potter.
The Invisible Monster.
I was almost persuaded, by some people's reactions, that the episode might have been better off without it... until I read some other people's reactions, and certain things that were said in the Confidential, which justify the monster's existence on a deeper, metaphorical level. Mind you, a blind, brutal space-vulture isn't all that great as monsters go, and even as a metaphor it could probably have been done better, but I do value the metaphor. I suspect that if someone else had written the script, the metaphor might have been anvilicious, but then this script and the acting in this story managed a level of subtlety that I'm glad of.
Oh, you want to know what the metaphor is?
Depression. An invisible monster that only Vincent can see, something that the Doctor cannot fight for him, something that Vincent fights off with his easel. Not that Vincent won over depression in the end, but I don't doubt that his art helped. Creating beauty in spite of, not because of, his depression.
As many other people have noted, and I agree, the portrayal of depression in this story was well done; not dwelling on it, of course, but touching on it in a respectful, believable way. And yes, I speak as someone who has suffered depression myself. (Thank God mine is treatable with medication, that's all I can say.)
Mind you, I still reckon that the best ever metaphor for depression shown in fiction has got to be the Dementors in Harry Potter.
no subject
Date: 2010-06-14 11:06 pm (UTC)I liked it too, as it wasn't preachy and didn't give it an easy fix.
The only problem with Dementors in Harry Potter is I tend to apply larger amounts of chocolate than strictly necessary at times. :)
no subject
Date: 2010-06-15 01:59 pm (UTC)(and agreed regarding Dementors. Though the Black Breath of the Ringwraiths are pretty good, too).
no subject
Date: 2010-06-16 05:03 am (UTC)Though the Black Breath of the Ringwraiths are pretty good, too
I hadn't made that connection.
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Date: 2010-06-14 09:05 pm (UTC)no subject
Date: 2010-06-14 09:24 pm (UTC)no subject
Date: 2010-06-14 09:47 pm (UTC)no subject
Date: 2010-06-14 10:02 pm (UTC)no subject
Date: 2010-06-14 10:06 pm (UTC)I suppose it just wasn't that good a monster.