Power He Knows Not
Dec. 11th, 2007 10:09 pmI've been reading some post-OOTP Harry Potter AUs recently, and it's interesting how they've latched onto and interpreted the phrase in the prophecy about "power that he knows not" and how it differs from what actually happened in Deathly Hallows, and, indeed, what it says about what people consider to be "power".
The pattern seems to be that Harry discovers some other power or twist to magical power, and becomes really good at it, and defeats Voldemort that way. In one case it was wild magic, in another it was Legilemens (plus the fact that this Harry was inclined to be suicidal and thus didn't hold back). In either case, while there were elements of self-sacrifice and friendship, the outcome was that Harry defeated his enemies because the "power" was the kind of power where power=might, and violence was met with more violence. And in one case (a story I finished today) it was considered that any price was worth paying to defeat Voldemort, including becoming morally grey.
Taking up the weapon of one's enemy, fighting fire with fire. Me, I'd rather fight fire with water.
In Deathly Hallows the "power" was self-sacrifice, and not violence. Harry defeated Voldemort twice; once by sacrificing his life and coming back again, and twice by having power over the Elder Wand and having Voldemort's death-curse rebound on Voldemort again. And Harry used Expelliarmus.
This kind of solution is so very rare. The only other fantasy novels I can think of (off the top of my head) where the Great Evil One was fought without a might=right solution are (a) the Narnia stories, (b) the Lord of the Rings.
The more common tendency in fantasy is fighting the Evil One with some mighty weapon, and killing them. Or maybe not killing them, but doing them violence, at least.
The pattern seems to be that Harry discovers some other power or twist to magical power, and becomes really good at it, and defeats Voldemort that way. In one case it was wild magic, in another it was Legilemens (plus the fact that this Harry was inclined to be suicidal and thus didn't hold back). In either case, while there were elements of self-sacrifice and friendship, the outcome was that Harry defeated his enemies because the "power" was the kind of power where power=might, and violence was met with more violence. And in one case (a story I finished today) it was considered that any price was worth paying to defeat Voldemort, including becoming morally grey.
Taking up the weapon of one's enemy, fighting fire with fire. Me, I'd rather fight fire with water.
In Deathly Hallows the "power" was self-sacrifice, and not violence. Harry defeated Voldemort twice; once by sacrificing his life and coming back again, and twice by having power over the Elder Wand and having Voldemort's death-curse rebound on Voldemort again. And Harry used Expelliarmus.
This kind of solution is so very rare. The only other fantasy novels I can think of (off the top of my head) where the Great Evil One was fought without a might=right solution are (a) the Narnia stories, (b) the Lord of the Rings.
The more common tendency in fantasy is fighting the Evil One with some mighty weapon, and killing them. Or maybe not killing them, but doing them violence, at least.
no subject
Date: 2007-12-11 04:09 pm (UTC)no subject
Date: 2007-12-11 08:16 pm (UTC)no subject
Date: 2007-12-11 05:56 pm (UTC)I would suggest for your category of stories that fight the bad guys without violence: Madeline L'Engle's original "Time Travel" trilogy (can't speak for the books she added to the series later, as I never read them, but the three original books are very much what you're talking about).
no subject
Date: 2007-12-11 06:59 pm (UTC)no subject
Date: 2007-12-12 03:09 am (UTC)Ooh, I read that one. Took the characters in an... interesting direction. *shivers*
Excellent points. Thud-and-blunder is highly overrepresented in the genres, but in a universe where winning doesn't just mean the destruction of the enemy, there must be some implicit higher values, which take more thought to codify in a story than a simple decimation of the immediate threat.
By the way, can I friend you? (Don't know why I didn't ask long ago. *g*)
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Date: 2007-12-12 05:01 am (UTC)I should have realized what I was in for when the author said that the title was based on "What is stronger than hope? Death."
I read it because it was recced, and it was really absorbing while I was reading it, but it left a bad taste in my mouth at the end.
Thud-and-blunder is highly overrepresented in the genres, but in a universe where winning doesn't just mean the destruction of the enemy, there must be some implicit higher values, which take more thought to codify in a story than a simple decimation of the immediate threat.
Indeed. It is a harder road to tread, and thus a harder story to write.
By the way, can I friend you? (Don't know why I didn't ask long ago. *g*)
No need to ask, go ahead!
no subject
Date: 2007-12-12 07:47 am (UTC)a harder road to tread, and thus a harder story to write
..and much of the time, far more rewarding to read.
Hurrah!