Here Be De Resin
Nov. 2nd, 2016 06:54 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So, here are photos of my surviving resin experiments. I say "surviving" because most of the ones made using the Loon UV resin... broke. As in SNAP CRACK broke, with just the pressure of my fingers. No wonder it was cheaper than the other UV resins...

Pendant: acrylic bead, UV resin, mica pigment
This one was my first experiment; then I went back and added another layer or two later. This is a rectangular plastic bead, and I put mica pigment/glitter on it and then resin, cured it, and more layers. So the edges aren't exactly perfect, but I don't care.

Focal: UV resin, mica pigment

Pendant: UV resin, mica pigment
These two were done with the same silicone mould, but with different resins. This is what proved to me beyond doubt that the Loon UV resin is not suitable for jewellery making. Both roses were made with the same mould, with an initial coating inside the mould of the same red mica powder, both cured the same way... but the Loon rose (a) didn't retain all the powder, (b) flexes when I try to bend it, and (c) has a slightly yellowish cast. The Bondic resin was as hard as a rock, and the pigment stuck to it better. I'm not going to get more Bondic resin, though, because they only offer tiny refill tubes, it's not cost-effective. But it was a good introduction to the whole UV resin thing.
Mind you, UV resin is EXPENSIVE, no matter which brand or source you use. Especially here in Australia; if you buy it from Australian vendors they mark it up (or only have the smallest sizes), if you buy it from overseas, you have the postage to worry about as well. My current plan is to get the large-size bottle of Lisa Pavelka UV resin from Fire Mountain Gems because they sell the large (6 floz) bottle for US$43 (as opposed to A$75, which was the cheapest I could find from Australian vendors), and they offer a flat-rate parcel service to Australia; so it would be a good time to buy a bunch of stuff from them at once. (And they currently have a "$1 or less" sale going on...)
The reason why people say that a little goes a long way is because they're mainly using UV resin for doming; that is, using it to put a clear protective dome over pendants and charms that were made from something else. And that is a good use for it, definitely; I just want to do more.
And this is the more I wanted to do. Aren't they pretty?

Teardrop Pendant: UV resin, glitter, mica pigment

Teardrop Pendant: UV resin, glitter, mica pigment

Teardrop Pendant: UV resin, glitter, mica pigment

Pendant: UV resin, mica pigment
Layers and layers of mica powder, curing in between, gives a lovely faux-opal effect. Okay, not faux-opal, but sooooo pretty.
I actually made three other teardrop pendants first, but they were among those which broke, which was sad, because I think they were prettier than these ones. Next time I'm not going to put glitter in the first layer, I think; it makes it look too fake. Glitter in later layers would be better, because that just gives a hint of glitteriness, rather than in-your-face as these teardrop ones were. But hey, I wouldn't know that if I hadn't tried it out.

Pendant: acrylic bead, UV resin, mica pigment
This one was another rectangular plastic bead with layers on top of it. I used some mica flakes as well as the glitter powder (that's the dark bits). And you can't see it, but with this one I was trying so hard to make sure the resin got to the very edge, that there was one spot where it overflowed. Fortunately I was able to break off that bit with pliers (but not my fingers, because this was the Bondic resin and not the Loon resin).
Yes, I definitely want to do more... when I get more resin. I only have a little left.



Pendant: acrylic bead, UV resin, mica pigment
This one was my first experiment; then I went back and added another layer or two later. This is a rectangular plastic bead, and I put mica pigment/glitter on it and then resin, cured it, and more layers. So the edges aren't exactly perfect, but I don't care.

Focal: UV resin, mica pigment

Pendant: UV resin, mica pigment
These two were done with the same silicone mould, but with different resins. This is what proved to me beyond doubt that the Loon UV resin is not suitable for jewellery making. Both roses were made with the same mould, with an initial coating inside the mould of the same red mica powder, both cured the same way... but the Loon rose (a) didn't retain all the powder, (b) flexes when I try to bend it, and (c) has a slightly yellowish cast. The Bondic resin was as hard as a rock, and the pigment stuck to it better. I'm not going to get more Bondic resin, though, because they only offer tiny refill tubes, it's not cost-effective. But it was a good introduction to the whole UV resin thing.
Mind you, UV resin is EXPENSIVE, no matter which brand or source you use. Especially here in Australia; if you buy it from Australian vendors they mark it up (or only have the smallest sizes), if you buy it from overseas, you have the postage to worry about as well. My current plan is to get the large-size bottle of Lisa Pavelka UV resin from Fire Mountain Gems because they sell the large (6 floz) bottle for US$43 (as opposed to A$75, which was the cheapest I could find from Australian vendors), and they offer a flat-rate parcel service to Australia; so it would be a good time to buy a bunch of stuff from them at once. (And they currently have a "$1 or less" sale going on...)
The reason why people say that a little goes a long way is because they're mainly using UV resin for doming; that is, using it to put a clear protective dome over pendants and charms that were made from something else. And that is a good use for it, definitely; I just want to do more.
And this is the more I wanted to do. Aren't they pretty?

Teardrop Pendant: UV resin, glitter, mica pigment

Teardrop Pendant: UV resin, glitter, mica pigment

Teardrop Pendant: UV resin, glitter, mica pigment

Pendant: UV resin, mica pigment
Layers and layers of mica powder, curing in between, gives a lovely faux-opal effect. Okay, not faux-opal, but sooooo pretty.
I actually made three other teardrop pendants first, but they were among those which broke, which was sad, because I think they were prettier than these ones. Next time I'm not going to put glitter in the first layer, I think; it makes it look too fake. Glitter in later layers would be better, because that just gives a hint of glitteriness, rather than in-your-face as these teardrop ones were. But hey, I wouldn't know that if I hadn't tried it out.


Pendant: acrylic bead, UV resin, mica pigment
This one was another rectangular plastic bead with layers on top of it. I used some mica flakes as well as the glitter powder (that's the dark bits). And you can't see it, but with this one I was trying so hard to make sure the resin got to the very edge, that there was one spot where it overflowed. Fortunately I was able to break off that bit with pliers (but not my fingers, because this was the Bondic resin and not the Loon resin).
Yes, I definitely want to do more... when I get more resin. I only have a little left.
no subject
Date: 2016-11-02 09:14 am (UTC)Have you decided what you're going to do with the rectangular ones? Can you get a little frame to turn them into broaches, or will you make them into a bracelet?
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Date: 2016-11-02 11:59 am (UTC)(no subject)
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Date: 2016-11-02 08:13 pm (UTC)(no subject)
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Date: 2016-11-03 02:18 am (UTC)(no subject)
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Date: 2016-11-03 02:48 am (UTC)(no subject)
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Date: 2016-11-03 06:25 am (UTC)(no subject)
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Date: 2016-11-03 05:27 pm (UTC)(no subject)
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